This is the Rhythmistic: Future-Primitif movie-in-a-book you have been waiting for!

The most important Graphic Novel in the growing indie Black Age of Comics movement has finally dropped. Exclusively via ONLI STUDIOS. Order online at the ONLI STUDIOS website.

 Via the Graphic Novels tab & Pay Pal.

 "The War For Planet NUBA!" Rhythmistic visuals and content at its best!

Ships free in the USA. Comes packed in archival plastic along with free limited-edition Trading-Cards.

We show the luv for your participation in the best of indie Graphic Novels and more!

 Decades in the making! 

The awesome limited-edition Graphic Novel series like none other, featuring the Rhythmistic: Future-Primitif Hero, like no other, NOG: The Nubian of Greatness and Protector of the Pyramides.  "The War For Planet NUBA!"

 Published by ONLI STUDIOS! Introduced and created by Prof. Turtel Onli in 1979, long before the trending of "Afrofuturism" or "Black Lives Matters"! NOG is vital to the protection of a Black Planet instead of hiding a small nation or dealing with the persistence of oppression. 

NOG opened the door to the growing, open, forward thinking, and inclusive Black Age of Comics genre where one does not have to be Black to get ones' Black Age on!  

NOG is definitely not a tribute to slavery or injustice.  NOG is not about the seductiveness of racial or generational re-traumatization. 

NOG is the brilliance of Rhythmistic fantasy & sci-fi that goes beyond the limited orthodoxy of the mainstream. 

NOG is not perfect, but NOG is perfect for you!

Place your orders via www.onlistudios.com per our Graphic Novels Tab. Free shipping int he USA.  It comes sealed in archival plastic with our over-sized limited edition Trading Cards. 

All in appreciation for your luv and participation in the Rhythmistic Indie Evolution!

Production clip of NOG by Johnathan Ford, ONLI STUDIOS associate, from the Rhythmic-Zone! LInk below.

https://drive.google.com/file/d/15tQ1As3jwHDaZMAdkXOgexrhTC12vbGN/view?pli=1

 

  https://libguides.sdsu.edu/comicsbytopic/afrofuturism

The above is a link to the Afrofuturist Comics Collection at the San Diego State University Library.  A tremendous resource.

This link is to an ever-cool time-lapse video of Prof. Onli painting a Rhythmistic treatment of NOG at the Museum of Contemporary Art, Chicago. Noted cartoonist like Chris Ware were overwhelmed in watching Onli do his Rhythmistic thing live, to the music of The Coltranes. (As in Alice & John Coltrane.)

LINK

Live in the Commons gallery at the MCA, Chicago.

 "NOG" is so much the long running manifestation of ONLI STUDIOS LLC's approach and innovations in this dynamic industry!

Collaboration & Anthologies

Collaboration and Anthologies matter because they foster a sense of community among creators and provide a platform for emerging talents. Collaborative projects allow artists and writers to pool their skills and create compelling works that showcase different perspectives and art styles. Anthologies provide readers with curated collections of stories. This introduces them to a variety of creators and promoting artistic diversity within the indie comic book scene.

Diverse Representation

Everyone deserves the spotlight behind the hero's mask. Diverse Representation matters because it promotes inclusivity and provides a platform for underrepresented voices to be heard. Comics featuring diverse characters and exploring various identities challenge stereotypes, foster empathy, and connect readers with relatable narratives.

Cross-Genre Exploration

Cross-Genre Exploration is vital because it pushes the boundaries of storytelling and breaks free from the constraints of traditional genre conventions. By blending elements from different genres, indie creators can offer fresh and unique narratives that captivate audiences, keeping the medium vibrant and exciting. This trend encourages innovation, attracts diverse readership, and expands the possibilities of storytelling within the comic book medium.

 

Recent feedback from Australia: 

 Hi Turtel.

Sorry I've taken so long to reply to your email.

I first learned about NOG back in the early 1980s when I read a review of it in "The Comics Journal".

The name and the artwork stuck in my head, but I never thought I'd ever get a chance to read NOG as it was an independent title and I lived in Australia - no internet then, just unreliable mail service. 🙂

Flash-forward to last month and I receive the most recent issue of ROCKTOBER magazine (which came out in 2021, I think). I'm flicking through the pages and I see an ad for NOG!!!

I was so excited that I went to your website immediately and ordered a copy - it was great to learn that the graphic novel (and sequels) were available as PDFs, because postage costs to Australia are prohibitive.

Anyway, that's how I discovered NOG and I'm thrilled to finally have the chance to read it (and the sequels). It was only 40 years, but it was worth the wait. 🙂

All the best,

Dann